SLXD15
Portable Wireless System With SLXD1 Bodypack Transmitter
Featuring the SLXD1 Bodypack wireless transmitter, SLXD15 provides transparent digital audio and rock-solid RF stability for videography, ENG and broadcast applications.
Product Details
- Powerful, portable digital wireless receiver for on-camera cold shoe mounting and audio bag use
- Dual 1/8” outputs including a headphone monitor out and switchable line/mic output
- Use Multi-Mic Mode to scan and sync over IR multiple clean frequencies, and monitor multiple sources from a single receiver with user-configurable front-panel controls
- Bright OLED display screen for key system function readouts and remaining battery life on transmitter and receiver
- Transparent 24-bit digital audio
- Extended 20 Hz to 20 kHz frequency range (microphone dependent)
- 118 dB dynamic range
- Digital predictive switching diversity
- 44 MHz tuning bandwidth (region dependent)
- 32 available channels per frequency band (region dependent)
- Up to 10 compatible systems per 6MHz TV band; 12 systems per 8 MHz band
- Easy pairing of transmitters and receivers over scan and IR sync
- Up to 8 hours from 2 AA batteries or optional Shure SB903 rechargeable battery
- Charging contacts for use with optional SBC203 docking charger
- TQG connectivity offers a variety of microphone options
- Rugged metal construction portable receiver design
- Ergonomic, durable plastic construction bodypack transmitter
The SLXD15 Portable digital wireless bodypack system delivers transparent, 24-bit digital audio and rock-solid RF performance for videographers, ENG and field production, film and location sound applications. Operate up to 32 compatible systems per 44 MHz band, with easy setup and optional rechargeability accessories. The SLXD1 features a TQG connector for adding your choice of lavalier microphone. Includes SLXD1 bodypack wireless transmitter, SLXD5 single-channel portable receiver, two zippered carrying pouches and a pair of AA alkaline batteries (no lavalier included).
- 1 - SLXD1 Digital Wireless Bodypack Transmitter
- 1 - SLXD5 Single-Channel Portable Digital Wireless Receiver
- 2 - Zippered Carrying Pouches
- 1 - WA311 Non-Conductive Cold Shoe Mount Adapter
- 4 - AA Alkaline Batteries
- 1 - SLXD1 Digital Wireless Bodypack Transmitter
- 1 - SLXD5 Single-Channel Portable Digital Wireless Receiver
- 2 - Zippered Carrying Pouches
- 1 - WA311 Non-Conductive Cold Shoe Mount Adapter
- 4 - AA Alkaline Batteries
- 1 - SLXD1 Digital Wireless Bodypack Transmitter
- 1 - SLXD5 Single-Channel Portable Digital Wireless Receiver
- 2 - Zippered Carrying Pouches
- 1 - WA311 Non-Conductive Cold Shoe Mount Adapter
- 4 - AA Alkaline Batteries
Accessories
SB903
Lithium-ion battery for SLX-D Wireless Transmitters
SBC-DC-903
DC Battery Eliminator Kit
WA311
Non-Conductive Cold Shoe Mount
WA301
Water-Resistant Silicone Protective Sleeve
Support
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Documentation
Spec Sheet
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Comparable Products
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Featuring the WA305 Premium Instrument Cable and the SLXD1 transmitter, the SLXD14 provides transparent digital audio and rock-solid RF stability for lecture halls and live performances.
SLXD14D
Dual Wireless System with two SLXD1 Bodypack Transmitters
Featuring two SLXD1 transmitters, the SLXD4D provides transparent digital audio and rock-solid RF stability for lecture halls and live performances.
ADX5D
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Shure Axient® Digital ADX5D dual-channel portable wireless receiver for broadcast audio and sound for film. Learn more about the ADX5D wireless receiver.
Case Studies
MyMama Tour 2021; conquered by the reliability and consistency of SLX-D ©Diletta Radaelli
Arturo Magnanensi, Audio Engineer at the the MyMama tour: "The tour was characterized by the strong need of the band to finally be able to express the great energy and creativity stored during the period of the lock-down; combining it and putting it, however, at the service of a necessary flexibility and adaptability to the many different types of concerts that the tour schedule envisaged. Also due to the restrictive regulations related to the pandemic, the show had to be able to be done at different times, in different lighting conditions, in relatively small or even very large stages, without ever affecting its nature or its technical and artistic performance for the public. So I would say that the technical flexibility was fundamental in order to guarantee a coherence of the show in all the various venues in which we found ourselves having to create the show."